For Ghari HORMOZI, sculpture represents a sort of extension of painting, a possibility of materializing his love for beauty in a three-dimensional art.
The material, light in appearance, consists of unbaked artificial earth, therefore less hard.
From the base support where the length is always superior to that of the apex (of a triangle on top), as to better guarantee its balance and hold, echelons multiple of sensual, rounded shapes. These forms, decorated by a series of abundant colors, seem to find their way through by a kind of energetic fluid, undulatory and jubilatory.
The whole invites to a kind of plastic meditation on the beauty of existence.
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